The benchmark for high speed, high resolution professional photography. Powerful enough to capture a 110 frame burst at 10 frames per second. Built to withstand the toughest conditions.
- 10.1 Megapixel CMOS sensor
- 10 fps, max. burst of 110 JPEGs
- Dual "DIGIC III" processors
- High precision wide area AF
- EOS Integrated Cleaning System
- ISO 100-3200 range (L:50 H:6400)
- 3.0" LCD with Live View mode
- Picture Style
- EF lens compatibility
- Illuminated status LCD's
- Cropped viewfinder (to enable compatibility with EOS-1V focusing
screens) - Supplied RAW conversion application (TWAIN), supplied remote capture
software - Double NP-E3 battery charger
Canon's EOS-1D is the first professional digital SLR from Canon since the EOS-D2000 (introduced in March 1998 which was a collaborative effort with Kodak, also known as the Kodak DCS 520). Indeed, the EOS-1D is the first all Canon professional digital SLR. Canon themselves admit that after the EOS-D2000 they were caught dragging their heels somewhat when Nikon released the D1 but believe that they are coming back strong with the 4 megapixel 8 fps EOS-1D, rechargeabl NP-E3 battery.
It combines a new 8.2 million pixel CMOS sensor with Canon's DIGIC II imaging engine and captures eight-megapixel JPEG images at 8.5fps in continuous bursts of up to 40 frames and RAW images up to 20 frames. Canon took their popular 4.1 megapixel EOS-1D and doubled the resolution of the imaging sensor. The EOS-1D Mark III is compatible with all EF lenses (excl. EF-S lenses) and EX Series Speedlite flash units. Untethered shooting and image transfer are available with the optional Wireless File Transmitter WFT-E2
In the digital camera battery realm, Canon's progress has been marked by cautious advances, but excellent products when they finally make a step. In the consumer realm, their digital cameras offer good value and exceptional color and image quality. About a year and a half ago, they introduced their first digital SLR, the EOS-D30. While many D30's found homes in professional photographer's equipment kits, it clearly wasn't intended to be a fully professional camera. Compared to Canon's film-based SLRs, the D30 was slower and less ruggedly constructed than Canon's pro models.
One of the only problems with Canon's 1D and 1Ds series bodies is that they are big and heavy. Some photographers simply don't want to deal with the weight--about 3 pounds without a lens-- while those with very small hands often complain that some controls are out of reach. After a long day of shooting, my right arm definitely did feel the awesome weight of this camera, but I didn't have trouble reaching any important buttons,Most significant of the issues is the autofocus (AF) issue. The Mark III (NP-E3)has a completely redesigned AF system that works better in low-light than nearly all other D-SLRs.[citation needed] However, under certain conditions (notably warm, bright, sunny days, conditions under which AF usually operates the best) some users have experienced poor AF performance.
Continuous Shooting basically lived up to Canon's 10-frames-per-second (fps) claim. We were able to capture full 10-megapixel JPEGs at a rate of 9.9fps with the camera set to its highest quality JPEG compression setting of 10. Canon's claim is based on a lower compression setting of 8, but either way, it feels like you're firing a machine gun (without the recoil or death) when you shoot with the 1D Mark III in high-speed Continuous Drive mode. Its NP-E3 battery can be used for about 3 hours.
mages shot with the Canon EOS 1D Mark III can be absolutely stunning. Colors look extremely accurate, and the automatic white balance does an excellent job of neutralizing colors under a variety of lighting situations. The only times it became confused was in situations in which there was mixed lighting, and even then it produced pleasing, if not absolutely spot-on results. If paired with a sharp lens, the 1D Mark III can produce images with a vast amount of fine detail.
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